Emerging Artist Show-ANNE IRWIN FINE ART, Atlanta

This time of year usually finds me in a depressed state. Sad that I am not in Provincetown and unhappy that Summer is ending, I hibernate at home. This year is different. I had an incredible Provincetown Summer and came home rejuvenated, inspired, and ready.....ready to dive head first into exciting projects that I have going on, particularly with the super talented artists that I work with as their agent. And I came back ready to see the Atlanta art world and to become a part of that world. At the top of the to-do list upon return was to get to ANNE IRWIN FINE ART on Miami Circle in Atlanta to to see the fifth annual Emerging Artist Show which, this year, includes one of "my" artists--the insanely talented KELLI KAUFMAN who is having a heck of a wonderful year. Upon receipt of Kelli's submissions for this juried show, one of Kelli's pieces landed at the top of the invitation/promo flyer for this show:

Anne Irwin and Emily West have mounted a major endeavor of a show featuring 120 pieces by artists from Georgia, Florida, Alabama, Louisiana (Kelli Kaufman), California and Canada. The show is beautiful as this photo from Anne Irwin Fine Art shows:

Prices of pieces in the show scale from $ 200-$ 2,000 making it accessible to all art lovers and most pieces fall into the $ 200-1,000 range. For new collectors, an emerging artist show like this is a great way to discover artists whose work you love and can afford. By accepting up to four pieces by each artist, the show presents a small body of work by each artist rather than just one piece. For someone looking at new, to the viewer at least, artists, this type of show is not to be missed.

My goal in visiting ANNE IRWIN FINE ART as soon as I could upon return to Atlanta, was to select five artists whose total submissions equalled the best. I will revisit the show to pick my favorite individual pieces by artists and that might include additional artists but, for now, here are the five artists that wowed me with their grouping of pieces featured in the show.

KELLI KAUFMAN:

As Kelli Kaufman's agent, I could not be more proud of what has been accomplished in the time that we have worked together. Kelli gets stronger and stronger as an artist in every piece that she completes and the pieces that Anne and Emily selected are proof of that. Kelli, hands down, wins for best landscapes and best colorist in the Anne Irwin show! Here is her grouping on the wall of the gallery:

And here are the strongest two by Kelli Kaufman:

Kelli Kaufman

Lafayette, LA

Still Waters at Dusk

Oil and Wax on Canvas, framed

16" x 20"

$ 650.00

Kelli Kaufman

Lafayette, LA

Placid Marsh

Oil and Wax on Canvas, framed

18" x 24"

$ 825.00

Spend some time on Kelli's website, www.kellikaufman, and you will see why Kelli is achieving great success. She deserves every bit of that success as her work is unique and very, very special.

HELEN FERGUSON CRAWFORD:

Best abstract pieces in the show...no competition: Helen Ferguson Crawford. WOW! This is exactly why shows like the one at Anne Irwin are important for artists and collectors. I came away from Anne Irwin Fine Art wanting to know more about and see more work by Helen Ferguson Crawford and spent some time on Helen's website and blog. A blog post on a studio visit with this artist will definitely be coming soon. Here is the grouping in the show:

Through Helen's blog ,www.helenfergusoncrawford.blogspot.com, I was able to get images of the two strongest pieces and see details of these pieces which are from a series of work called "the lure of empty places, field" and about "the edges of things". These pieces are definitely luring!

Helen Ferguson Crawford

Atlanta, GA

Beggar

Oil, Acrylic, and Graphite on Canvas

24" x 24"

$ 900.00

Helen Ferguson Crawford

Atlanta, GA

Tight as Cloth

Oil, Acrylic, and Graphite on Canvas

24" x 24"

$ 900.00

'

Rounding out the best five groupings in the show are three Georgia artists whose work is quite traditional yet presents something different than most of their peers in the genre in which the work fits.

They are:

'

ALLAN STRULETZ:

I found this piece particularly inviting as I was reminded of the land of beautiful marshes from which I just came:

Allan Struletz

Marietta, GA

All in a Day's Work

Oil on Canvas

18" x 24"

$ 725.00

GINNY LANE:

There is something very fresh about Ginny Lane's work and different than many landscapes by Southern artists. A little research let me know why. Ginny Lane spends time in Maine which provides great inspiration and sources of views like the one captured in this gem of a painting of Seal Cove in Maine.

Ginny Lane

Marietta, GA

Seal Cove

Oil on Canvas

10" x 20"

$ 300.00

SHERYL LOTT:

In the super traditional realm of subject matter, Sheryl Lott's work certainly exhibits a deft hand and sense of color particularly in these two pieces and specifically in the bottom piece:

Sheryl Lott

Douglas, GA and Lake Oconee/Greensboro, GA

Aqua Beach Umbrella

Oil on Canvas

11" x 14"

$ 575.00

ANNE IRWIN FINE ART was packed on opening night as seen in this photo with KELLI KAUFMAN's pieces at center stage....

....and with a show as excellent as this one is, the gallery should be packed from now until August 31st when the show comes down. If you are in Atlanta between now and then, be sure to stop by ANNE IRWIN FINE ART to see this show! For information on any piece featured in this post, contact me at jefferymccullough@hotmail.com or Anne Irwin Fine Art at staff@anneirwinfineart.com

ANNE IRWIN FINE ART

690 Miami Circle #150

Atlanta, GA 30324

404.467.1200

Four Eleven Studios-One of Provincetown's Best Galleries-featuring Helen Grimm and Liz Carney

On Friday night we stopped by Four Eleven Studio in Provincetown for the opening reception for new work by Helen Grimm, a Cape Cod artist whose work I became aware of a couple of summers ago. Helen's work makes me happy. Plain and simple. And for me that is reason enough to look at a painting over and over.

Each year, Liz Carney, artist and arts organization director, mounts shows that keep me paying attention to what she is doing at the lovely little gallery at 411 Commercial Street in the East End Gallery District. Whether it was the Carney family--they are ALL super talented with strong creative genes in the blood lines-- exhibition a couple of Summers ago or the annual Bear Week celebration show, there is always something good going on at Four Eleven Studio.

I was greeted on Friday night by the lovely Liz and these fantastic new pieces by Helen Grimm.

Colorful and full of good energy, the work of Helen Grimm captures the emotion and movement that Provincetown is full of and, I think, Grimm is doing something different than many of the painters of this area of Cape Cod. Sure, there is a nod to the Cape Cod School of Art particularly in the palette used in her dune scapes, but her work is more than that. The pieces are not about the colors, which I think some artists use as a gimmick to give their work that "P-town art" vibe, but are about a feeling that one gets when walking through the dunes to get to the beach or on a dune tour or simply sitting at the edge of the dunes looking towards the sea. And I love the framing which seems representative of the simple wood slat dune fences at the beach holding it all together and protecting the dunes in a way that frames the view of the dunes as one looks at them.

About this Truro, MA, artist from a Four Eleven Studio description:

"Throughout her career Helen Grimm has been drawn to the color, texture and repetition of abstracted forms. Her most recent paintings explore the landscapes of the Outer Cape. Grounded by their influence in the natural world, her paintings are a joyful expression of color and shifting rhythm."

I found that when looking up what town on the Cape Helen is from. I think that last line perfectly supports and sums up what I wrote in the prior paragraph!

Here are my three favorite Helen Grimm pieces in the current show:

Helen Grimm

Towards Emily, 2013

Oil on Canvas, framed

8" x 10"

$ 475.00

Helen Grimm

Towards Beach Path, 2013

Oil on Canvas, framed

8" x 10"

$ 475.00

The piece from the exhibition card at top of this post:

Helen Grimm

Vertical Dune, 2013

Oil on Linen, framed

24" x 30"

$ 1,900.00

Although the current exhibition is all about Helen Grimm's great new work, I had to get into the Liz Carney corner. Liz Carney is a brilliant artist who, fortunately, is in our collection. Liz captures so much in her work. I know her, I like her, I feel her. And she, the person, comes through in her work. Liz deserves her own blog post and will get one soon. For now, here is some of her brilliance currently tucked away in the right corner of the gallery...

Henry likes this piece as much as I do and was guarding it on Friday night:

Liz Carney

East End Houses

Acrylic and Graphite on Canvas

36" x 36"

$ 2,200.00

There is a companion or rather, a precursor and a mate, to this fantastic piece. The story is Liz's to tell. If you know Liz and stop by Four Eleven Studio, ask her about it. The story and both paintings are beautiful.

Liz Carney

Family

Acrylic on Panel

36" x 36"

$ 2,200.00

After a lovely visit with Liz and experiencing both Liz and Helen's work, we walked down to Alden Gallery to see Joerg Dressler's amazing new work...more on that in an upcoming blogpost.

As we walked past Four Eleven Studio about an hour later and I saw the Helen Grimm dune scape hanging in the window and Liz Carney's flower piece on the wall I thought, "all is well and it all works." It does. And Four Eleven Studio is a not to be missed Provincetown gallery.

www.fourelevenstudio.com

The Reason I Am Here......

The Reason I Am Here.......

Title wall of the current show at PAAM, Provincetown. L to R: paintings by Robert Beauchamp and George McNeil

...is that year after year I am fulfilled, I learn, I am comforted, I am challenged, I am loved...and I love. I am talking about Provincetown and those who know me know that I have spent time here in the Summer for nine years now. I fell in love with this magical place on a week long visit. And, as many before me have felt, one week wasn't enough the following summer and then, without me knowing why, neither was two or even three weeks. And so now Tim and I spend a month here. And even that seems like too little. And a day like yesterday is exactly the reason. 

I picked up a friend from the ferry terminal and, since this is her first time in Provincetown, spent a few hours showing her "my P-town" which meant that we went in a few galleries, had my favorite lunch which is take-out from Angel Foods enjoyed during a picnic on the water behind the East End institution that is Angel Foods. 

And then, along with two other Louisiana friends who are in town, crossed the street to PAAM, Provincetown Art Association & Museum, to see the latest incredible shows. Every Summer PAAM mounts a show that I get so into that I have to go back more than once. Last year it was a huge Motherwell show and this year it is "Pioneers from Provincetown: The Roots of Figurative Expressionism" curated by Adam Zucker and on view until September 2nd. 

About this show, PAAM says:

"In the 1950s a new wave of painters invigorated Cape Cod’s artistic community and challenged the Abstract authority, using the figure as the key structural element in their compositions.

Whether drawn to Provincetown by the charismatic and influential artist-teacher Hans Hofmann, the promise of like-minded community, cheap rent, or the brilliant seaside light, the influence of these artists continues to be felt today."

The show is wonderful. And celebrates artists that are very well known and those that, unfortunately, never quite made it on the art world stage which is a pity, of course, but thanks to PAAM the work is out there again for the world to see.

I will go back next week to revisit this show and possibly will find additional favorites once I spend some quiet time with the pieces but for now, here are the five that hit me yesterday.

WOLF KAHN. 

I am never disappointed with the experience of seeing a Wolf Kahn. And to see work done when this now 86 year old master colorist was only 29 is such a wonderful experience and treat. 

Wolf Kahn

Our Studio in Provincetown, 1956

Oil on Canvas

18" x 24"

from Private Collection

I have never seen a Wolf Kahn figurative piece and suspect that most have not. This one's eyes are incredible and that shocking green scarf is fantastic. I want to know her!

Wolf Kahn

Emily in 1956, 1956

Oil on Canvas

30" x 24"

from the Collection of the Artist

TONY VEVERS.

Tony Vevers is a name I've heard since I began following the art world of Provincetown. And after seeing his work in this show, it's time I do my research to learn more and see more. This piece moved me. And an artist friend and I discussed the choice to add color only on the children. That's what seeing a show together does--dialogue and thought leading to the sharing of ideas and wonders.

Tony Vevers (1926-2008)

Whale on Beach

Oil on Canvas

37" x 44"

from the Collection of Tabitha Vevers and Daniel Ranalli

ROBERT HENRY.

Again, an artist that I've heard about but haven't researched. There's the being challenged to learn part of why I come here year after year.

Robert Henry

Idyll, 1963

Oil on Canvas

30" x 23"

from the Collection of the Artist

GEORGE SEGAL.

Again, time to get on it, Jeffery, do the research! This piece is intense and huge. I need to spend some time with it on my next visit to PAAM.

George Segal (1924-2000)

Still Life, 1961

Oil on Canvas

96"  x 72"

from the Oakleigh Collection

As if the Pioneers of Provincetown show wasn't enough, PAAM currently has a show up in the smallest room of the Museum. Titled, "Around Town: PAAM Collection Works", this show celebrates views of Provincetown by some of the most well know Provincetown artists in a curated grouping that is a wonderful art history lesson since the grouping goes all the way back to Charles Hawthorne (born 1872, founder of Cape Cod School of Art in 1899) and continues to Anne Packard, one of Provincetown's most well known living artists. This show is why PAAM is so smartly run. In a small room with only 16 pieces, one can understand what and why the Provincetown art world is.

Far left: untitled Provincetown scene by Henry Hensche (1901-1992)
Far right: Historical Museum, Provincetown, 1961by Ross Moffett (1888-1971)

L to R: paintings by Ross Moffett, Charles Hawthorne, Anne Packard, Bruce McKain

Again, another wonderful show. But the four stand outs for me were:

BRUCE McKAIN.
Again, I am challenged to learn and must do research on this artists. I absolutely love the light in this painting and the reflection in the water.

Bruce McKain (1900-1990)

Provincetown

Oil on Canvas

25" x 33"

Gift of Dr. & Mrs. Henry Fogelman, 1991

HELEN STILES.

Never heard of her before this show. Love her modernist approach in this view of Provincetown.

Helen Stiles (1911-1992)

A Provincetown View

Acrylic on Canvasboard

22" x 28"

Gift of the artist, 1990

ARTHUR COHEN.

One of my favorite Provincetown artists, Arthur Cohen, has produced work that brought me to tears. Literally, a piece that I saw several years ago at Munson Gallery in Chatham immediately caused tears to well up. That's because Arthur Cohen had captured what it is that I love and feel about Provincetown. I have since acquired two very small works on paper pieces by the artist and recently saw several small pieces that are available from Anne Irwin Fine Art in Atlanta that I have a close watch on. If you are in Atlanta, ask Anne or Emily to show you the Arthur Cohen pieces.

Arthur Cohen (1928-2012)

Cape Cod Wharf, 1968

Oil on Canvas

16" x 20"

Gift of Dr. & Mrs. Henry Fogelman, 1991

And then, WOLF KAHN. Again!

I have a dream of staying in one of the dune shacks in Provincetown, an experience that one can apply for with the proposal of a project to be worked on while doing a residency in one of the shacks that still exist in the dunes of the Cape Cod National Seashore.

Wolf Kahn captured a world that beckons me with this piece. 

Wolf Kahn

My Shack on the Dunes, 1947

Oil on Canvas

17" x 21"

Gift of the artist, 1986.

If you've been to Provincetown and were bitten by the love bug of the town, you know what I mean when I wax rhapsodic about this special spot at the tip of Cape Cod. And what Anne Packard talks about in an interview, that I will share when I do a blog post on her, when she said, "I couldn't wait to come back......come back."

ALDEN GALLERY, Provincetown: LAURENCE YOUNG and PAUL KELLY show

Provincetown is full of galleries. When I say full, I mean full--there are over fifty galleries in this village of a town. Over the years I have learned which I love and need to go in every Summer and which I can skip. As I've gotten to know which P-town artists whose work I love and I've gotten to know gallery owners, I now have my list of favorite galleries down to a number I can count on two hands. It varies by the season but somewhere between five and eight would be a safe bet for those I say are a must. I will feature a few of them over the next month.

One absolute MUST is ALDEN GALLERY. I received this notification for the show that opened on July 12th featuring LAURENCE YOUNG whose work I know really well (I represent him in the South) and Paul Kelly, an artist whose work I didn't know at all. I was intrigued by the pairing of these two artists and was bummed that we would get into town too late to make it to the opening. So at the top of my list for Saturday was to get down to ALDEN to see this show. 

WOW! Howard Karren and Stephen Syta knew exactly what they were doing when they planned this show. Now in its sixth season, ALDEN is a gallery I have seen from the beginning. Alden has been at the top of my list for years now because the gallery represents several artists whose work I've bought for clients and for our collection. So I know the gallery well and I have to say that I think the walls of ALDEN have never looked better than they currently do! 

I entered the gallery to see three of the best Laurence Young paintings I have ever seen. I was in love, particularly with "Pick Up Sticks" and "Are We There Yet", the two pieces with structures. IN LOVE!

L to R on Walls: Laurence Young's "A Passing Rain" diptych; "Pick Up Sticks"; "Are We There Yet"
on chair: a painting I asked to be placed there for a future blog post that will include Linda Reedy, Texas artist

And then I turned and looked into the other room. Oh my gosh. The juxtaposition between Laurence Young's Oil and Wax on Canvas pieces with Paul Kelly's Oil on Canvas framed architectural pieces is just incredible...seriously good. Understatement. I learned that Paul Kelly is an architect hence the insane level of skill in capturing everything about a structure. Yet he plays around with it just a bit..holds a little back and makes a subject that has been painted ad nauseam fresh and interesting again, achieving in his work what Laurence Young did in "Are We There Yet" which makes the Truro cottages feel like they have never been painted before. Both Laurence and Paul's paintings make the viewer want to be there, right now. And that is what I felt while in the gallery. I wanted to be IN Laurence's paintings and IN Paul's paintings. 

L to R: Laurence Young's "Are We There Yet" and "Seeking Solace" in front room. In the back room, past the columns, are paintings by Paul Kelly.

Here are my favorite LAURENCE YOUNG paintings that are in the show:

Laurence Young

Pick Up Sticks

Oil/Wax on Canvas

30" x 30"

$ 3,500.00

Laurence Young

Are We There Yet

Oil/Wax on Canvas

30" x 36"

$ 3,800.00

Laurence Young

Seeking Solace

Oil/Wax on Canvas

30" x 30"

$ 3,500.00

I LOVE the figurative piece on the left:

click on photo to see this piece in its entirety:

Laurence Young

A Passing Rain Diptych

Oil/Wax on Canvas, framed

18" x 48"

$ 4,500.00

Laurence Young

Young Poet

Oil/Wax on Canvas

14" x 11"

$ 950.00

To see all of the Laurence Young pieces in Alden's inventory:

http://www.aldengallery.com/laurence-young/laurence-young-work.html

And here are my favorite Paul Kelly's in the current show:

L to R: "Johnson Street Two Sides" and "Pearl Street Hedges"

on left:

Paul Kelly

Johnson Street Two Sides

Oil on Canvas, framed

48" x 30"

$ 2,400.00

on right:

Paul Kelly

Pearl Street Hedges

Oil on Canvas, framed

20" x 24"

$ 1,200.00

Those who have been to the beaches of Provincetown will recognize these three as the old cinder block snack building and bath houses that have now been torn down and replaced with new shingled modern cottage versions.

The piece in the middle is the one that I was drawn to. Incredibly drawn. The abstraction of this building that I've seen so many times is just incredible and the view towards the ocean is just spectacular. I felt this painting.

Paul Kelly

Bathhouse No. 5

Oil on Canvas, framed

20" x 16"

$ 850.00

and then this piece, Blue Porch, WHOA! This is SO Provincetown....the blue beat up door from which the viewer stands looking towards the slightly too pristine house across the street...that is what Provincetown means to those of us who love it. We never want things to get too perfect, too groomed, and peeling paint is wonderful! For those who "get" Provincetown, this painting means something really special.

Paul Kelly

Blue Porch

Oil on Board, framed

11" x 14"

$ 800.00

To see more of Paul Kelly's work: 

http://www.aldengallery.com/paul-kelly/paul-kelly.html

I am so glad we arrived in town to experience this show and if you are in Provincetown now or arriving this week, make ALDEN GALLERY at 423 Commercial Street your first stop! For more information on any piece featured in this post, please contact Howard Karren or Stephen Syta at ALDEN GALLERY at 508-487-4230 or aldengallery@gmail.com.

Continuing the run of fantastic Summer shows, the next show to open at ALDEN includes two great artists, Joerg Dressler and Mike Wright whose show will open this coming Friday night. I will be there and so should you!